“Viral Reception and the Crisis of Time in Mary Shelley’s The Last Man” ∙ Modern Language Association, January 2023 (postponed)

“Thomas Hardy and the Reaping Machine: Iron Determinism in Tess of the D’Urbervilles” ∙ North American Victorian Studies Association, September 2022 (accepted)

Capital, Quarantine, and Pandemic Time ∙ The North American Society for the Study of Romanticism/British Association for Romantic Studies, August 2022.

“Writing Plague: Narrative Distention and the Novel Form” ∙ Association for the Study of Literature and the Environment, July 2021

“Bad Books: Reading the Victorian Novel in Review” ∙ Conference of the Research Society for Victorian Periodicals, Temple, PA, September 2021

“‘Disagreeable Sensations’: Trauma and the Railway in Charles Dickens’ ‘The Signal Man’” ∙ Midwest Victorian Studies Association Conference, Chicago, IL, April 2021

“Writing the Line: Railway Fiction and the Industrialization of Nineteenth-Century Print.” ∙ The Dickens Project Graduate Student Conference, March 2021

“Viral Reception and the Crisis of Time in Mary Shelley’s The Last Man” ∙ Fourth Annual Vcologies Workshop (VC4A), September 2020

“Reading Reception in the Works of Oscar Wilde” ∙ Midwest Modern Language Association, Chicago, IL, November 2019

“A Titan or a Toy”: The Exercise of Influence in Oscar Wilde’s The Picture of Dorian Gray ∙ The Eighth Biennial Conference of the Reception Study Society, Provo, UT, September 2019

“Distempered Dreams of Future Action”: Hopeless Optimism in Mary Shelley’s The Last Man ∙ Association for the Study of Literature and the Environment, Davis, CA, July 2019

“The Meaning of Prophets and the Making of Trolls: 19th-Century Reception of Charles Dickens’ Barnaby Rudge” ∙ Craft Critique Culture Conference, Iowa City, IA, April 2019

“‘Dreaming of Dawn’: Anticipation in Charlotte Bronte’s Shirley” ∙ Midwest Modern Language Association, Kansas City, MO, November 2018

“‘Bold though Diminutive Giants’: The Making and Makings of Man” ∙ Craft Critique Culture Conference, Iowa City, IA, April 2018